Resources

The Annotated Guide to Tools & Resources provides tools, frameworks, and resources to help you develop and implement your evaluation. It’s a repository of useful, practical materials that can help you create an evaluation plan; design your evaluation approach; develop or adapt tools and instruments; and otherwise move your evaluation forward.

This Guide was originally assembled from many sources and fields and annotated by evaluator Suzanne Callahan of Callahan Consulting for the Arts. We continue to add resources. Your suggestions are welcome!

Do you have a useful tool or resource to add? Contact animatingdemocracy@artsusa.org.

Authors: W.K. Kellogg Foundation
Available online as a pdf (or it may be ordered from the Kellogg website for free), this 116-page handbook from the Kellogg Foundation provides a framework for thinking about evaluation as a relevant and useful program tool: “For those with little or no evaluation experience, and without the time or resources to learn more, this handbook can help project staff to plan and conduct an evaluation with the assistance of an external evaluator.” A blueprint for conducting project-level evaluations, this handbook is an excellent resource and was written primarily for project directors who have dir
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Resource Format: case study
  The documentary film “Waiting for Superman” reignited the debate over the quality of public schools in America. At the request of the Ford Foundation, the Harmony Institute completed an evaluation of the social impact of the documentary film. Before the film was released, the Harmony Institute identified indicators and constructed an evaluation framework to measure the social impact of the film. The evaluation methods included focus groups of audience members, online surveys, measuring social media analytics, interviews with education industry leaders, and analysis of press coverage.
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Animating Democracy resource
Authors: Jessica Arcand
Resource Format: book / article, case study
The Andy Warhol Museum presented the traveling exhibition, Without Sanctuary: Lynching Photography in America—100 photographic prints and postcards from 1870 to 1960 that document the history of lynching in the United States. Racially motivated killings in the city had heightened existing racial tensions, and the exhibition provided a potent context for refocusing dialogue about race in Pittsburgh. The Warhol worked with a community advisory group to determine how the exhibition should be presented and interpreted both within and outside the museum.
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