Working Guide Trend Papers

Youth media is a diverse array of practices in which young people collaborate with artists and educators to express themselves creatively, communicate with peers across borders, and participate in community dialogue and problem solving. Social justice-focused youth media facilitates a root-cause analysis of “why things are the way they are,” has a vision of a more just and equitable society, and uses media to contest dominant narratives and to support systemic change. The process of creating and presenting media can be transformative for youth, educators, communities, and audiences.

In his essay, Erik Takeshita, Program Officer for the Local Initiatives Support Corporation (LISC) in the Twin Cities, explores the experience of MicroFest: New Orleans and observes that art requires four characteristics to have a positive, sustainable impact on community: Residents and communities are the agents of change, not the targets of change….Art is at the center….Place matters….Art works across sectors and is collaborative. Based on a panel held in the St.

Arts in healthcare is a diverse, multidisciplinary field dedicated to transforming the experience of healthcare by integrating the arts into a wide variety of healthcare and community settings. This report outlines the various ways that arts have contributed to improved quality of care for people suffering from post-traumatic stress disorder to mental health to chronic disease as well as the well being of an increasingly aging population.

In this paper, Lyz Crane draws on the work of practitioners and researchers to characterize the field of arts-based community development in which arts and culture can help achieve place based change related to the physical, social, and economic dimensions of place.  From the premise that the existence of arts is considered a powerful end in itself, Crane then outlines the variety of ways that the actors and activities involved in arts and community development work can relate to and interact with each other to create sustainable communities.  Looking at the cultural ecology of place, creat

Caron Atlas' essay on MicroFest: Appalachia focuses on the connections between civic capacity, imagination, and moral economy in Appalachia.

Dance practitioners across the country are creating innovative opportunities for community, civic, and social engagement. Choreographer, organizer, and former Urban Bush Women company member Paloma McGregor highlights contemporary community-based dance practice; concert dance that is intentional in connecting to community members and issues; and programs where the next generation of socially engaged dance artists are incubated.

From an environmental perspective, we are living in transitional times; the practices we engage in now have far-reaching implications for the survival of the earth and all its life forms. “Environmental Art” is an umbrella term for a wide range of work that helps improve our relationship with the natural world. Art provides a lens through which to explore aspects of society--from urban food production, climate policy, watershed management, and transportation infrastructure to childhood education and clothing design--from an ecological perspective.

The past is indeed always with us, and historic sites, history exhibitions and programs, anniversaries and commemorations, and heritage tourism efforts offer great potential for examination of both the history of a community and its contemporary civic and social concerns. History helps people understand the sources and complexities of present-day issues. History organizations and their tangible artifacts and spaces bring great assets to the process of making meaning of contemporary life.

As both a scholar of community-based theater and past ensemble company member, Jan Cohen-Cruz lends perspective on an array of experiences of place-based theater, culture, and art at MicroFest: Honolulu. Being in Hawai`i, where the Native language has been pre-empted by English, heightened participants’ awareness about issues of language related to creative community-based work.

Popular media—film, television, celebrity, online games, and online videos—is a powerful way for the creative community to depict critical social issues and engage people in contributing to social change.  This paper focuses primarily on popular media examples that combine social message, narrative, and outreach tactics into intentional strategies to influence behavior and support broader-systems reform.

Mark Kidd’s own cross-sector work in arts and regional development lends valuable socio-economic and environmental context to MicroFest: Appalachia’s many rich examples and experiences.  In his essay, Kidd contrasts a current national creative placemaking trend which emphasizes economic and physical development with creative placemaking in Central Appalachia that is grounded in community-based arts and aims to establish a civic and creative infrastructure capable of taking on and sustaining a variety of projects, including economic development, in an ongoing way.

This paper synthesizes key insights from MicroFest: USA—part festival, part learning exchange—orchestrated in 2012–2013 by the Network of Ensemble Theaters (NET) to take a fresh look at the roles of art, culture, and artists in creating healthy vibrant communities. MicroFest shone a light on a spectrum of cultural production, including ensemble theaters, that is traditionally under the radar in official or conventional creative placemaking strategies, but that constitutes a critical part of the cultural ecosystem.